It’s 2017 and Some Major Hollywood Stars Still Won’t Call Themselves Feminists

Emily (Phoebe Dynevor) is seen getting busy with her fiancé Luke (Alden Ehrenreich) at a wedding. While that's not necessarily gag-worthy, there's one determining factor that could be — she's on her period. Not only that, but there's oral sex involved that Luke happily engages in. It's a highly erotic and graphic scene that has the potential to leave viewers reeling, but Emily and Luke aren't grossed out by what they're doing. They're too caught up in bliss to think there's something wrong about being pleasured during one's period.

I'll be honest — younger me would have immediately ran for the heels at this description because...ew. I'm not personally comfortable with the oral aspect of the scene, but I'm familiar with putting down a towel during period sex. It's all about preference, and no matter where you stand on the period sex issue, it's nice to have a partner that doesn't treat you like a walking science experiment during your period.

What did Phoebe Dynevor say about filming the sex scene in "Fair Play"?

She's actually happy the scene was filmed, and thinks director Chloe Domont did an excellent job showing that sex doesn't have to be skipped the week of someone's period. She told Ellethat male directors would've questioned the necessity of it. "We as women know these things happen all the time, but why are we not seeing it on our screens," she asked.

When does the period sex scene appear in "Fair Play"?

Trigger warning — this sex scene appears at the very beginning of Fair Play. Talk about starting off with a bang!

What is the plot of "Fair Play?"

Fair Play centers around the work culture of a hedge fund company that begins to take a toll on a couple. In a deeper plot analysis, Ellereports that Dynevor's character Emily has a secret engagement to her coworker, but "she gets a surprise promotion, which causes issues in their relationship outside of work." It takes a deep dive into the gender norms that can begin to stifle a relationship if both people have different views of how things are supposed to fall in place in and outside of the home.

What else has Dynevor said about "Fair Play"?

She pointed out that it's an excellent marker for how far society has to go in terms of respecting women. She also told Elle, "We have this idea that world is so progressive...but there's still so much progress to be made and so many things that haven't been done or still taboo." To drive this point further home, Dynevor said, "The thing that was really interesting to me is how modern feminism is clashing with traditional masculinity...Emily is really trying to make herself small to make him [Luke] feel masculine."

This is true because we're seeing the effects of attacks on reproductive and maternal health. Not only that, but there's still an expectation for how women are supposed to carry themselves whether they're mothers or not. As far as we've come, the work to fully recognize that women aren't monolithic and deserve to have our voices, time, and efforts respected is ongoing. That we shouldn't have to shrink so that men don't feel threatened or emasculated. That us asking to be appreciated and respected has nothing to do with attacking men's self esteem.

Until we get to that point, films like Fair Play will continue to exist to push the conversation forward.

When can you watch "Fair Play"?

Fair Play will premiere in theaters September 29, 2023 and will be available to stream on Netflix beginning October 13, 2023.

Watch The Trailer For "Fair Play"

“I love The Golden Girls and I love hanging out with you,” Lara Jean tells 11-year-old Kitty, who canceled her own plans so her sister wouldn’t be alone. But boyfriend or not, these sisters put themselves and each other first. They are more content with loving each other and themselves than finding love — or at least needing it for validation.

Before oldest sister Margot leaves for college in Scotland, she [SPOILER ALERT!] breaks up with her longtime boyfriend Josh. She doesn't want to be tied down to a relationship and she's unwavering in her decision. This decision goes some way in dismantling the pattern that we’ve seen so many times in pop culture where the girl often gets left in the dust for greener pastures. Don’t get me wrong: Every time I watch To All The Boys I've Loved Before, my heart still hurts for Josh and I want the boy next door to have his own happy ending. But Margot’s decision to be selfish about her college experience is not cold or harsh; it’s a power move, and that’s not necessarily a bad thing.

And while Margot jets off for a new adventure, Kitty deliberately sends out the love letters Lara Jean wrote to all her former crushes, including Josh. She gives Lara Jean the push she needs to get out of her shell and act on her feelings, thereby jumpstarting the premise of the movie. Not only does Lara Jean start a fake relationship with Peter to throw off Josh so Margot doesn’t get upset, but she unequivocally shuts down all conversations with him. She refuses to give even the tiniest thought to any lingering feelings she may have. It’s less of an adherence to an arbitrary girl code and more of a natural decision that her love for Margot trumps any adolescent feelings she’s had for Josh.

What the movie so powerfully captures here is Covey girls’ sense of camaraderie — the proverbial “sisters before misters”— that invites viewers to understand that this story, at its core, is a celebration of sisterhood. It’s a rom-com of sisterly love (and the extents the Coveys will go for one another) more than it is of romantic love with cute teen boys.

To All The Boys I've Loved Before doesn’t use gimmicky storylines of sibling rivalry or slut-shaming (Peter is quick to shut that down) to turn this into a caricature version of high school, nor does it perpetuate Lara Jean’s seemingly invisible persona to maintain the shy vs. popular girl dichotomy. In fact, she’s stronger and bolder than Genevieve and Peter — two of the most popular people in school — combined. Lara Jean might not be very experienced, but from the beginning, she’s sure of herself, comfortable in her own skin, and does not ever feel the need to conform to a high school status quo to make a place for herself. When Genevieve makes a snarky remark about her platform boots, Lara Jean is quick to remind her they're vintage. As Peter says, she doesn’t let Gen steamroll over her.

Lara Jean is scared of getting hurt, but she makes Peter work for her trust because she knows her worth. She’s insecure about his feelings for her, but not about whether or not she’s good enough for him. As far as she’s concerned, they’re on equal footing; she makes that quite clear when she suggests that if he’s only dated one girl, he’s not quite the expert he thinks he is. Though the fake romance is his idea, the ball has been in her court since the beginning. She’s delineated her boundaries and decided when to give him a chance and express her true feelings to him. Both scenes of her strutting through the lacrosse field to talk to Peter — when she’s good and ready, mind you, with her back ramrod straight and her head held high — are proof of how self-assured and in control she chooses to be; her popularity or lack thereof has no bearing on that.

Lara Jean’s character may have moments of peak embarrassment in this movie, but she carries herself with confidence and owns her actions, unapologetic about who she is. Much to our chagrin, this movie is fictional, but Lara Jean’s confidence is contagious and all-too-real. While there aren’t enough Peter Kavinskys in the world for all of us, To All The Boys I’ve Loved Before sets a wonderful standard of self-love and confidence that are not bound by social hierarchy. As much as we love falling in love, our love stories start with ourselves.

So let’s start from the beginning. Paris Geller (played by Liza Weil) joined the GG crew in Season 1, right as Rory Gilmore (the show’s sort-of protagonist) walked into Chilton Academy, a private school where Paris was attending, for her first day. A far cry from Rory’s relatively timid and soft-spoken personality, Paris tore up the screen with her high-strung personality and immediate rivalry with Rory (Rory did not feel the same), who Paris viewed as the only candidate who could possibly challenge her spot at the top of the class standing. As the year progresses, the two become friends, which of course Paris still highly questioned.

The rest of their high school experience is plagued with repeated ups and downs, from Paris’s parents’ highly publicized divorce to their joint student government campaign and, most notably, Paris’s C-SPAN meltdown, courtesy of a Harvard rejection fueled by what she can only assume to be wide-spread knowledge that she lost her virginity. Despite losing the Valedictorian slot to Rory (which Paris comes to terms with after finding out Salutatorians tend to be more successful), Paris walks across the graduation stage and accepts her diploma from the school’s headmaster, to which she iconically quips, “no hard feelings.”

Fast forward to Paris’s first year at Yale, a school she knew Rory was attending but had no intention of ever seeing again. Not to the surprise of Paris’s life coach, the two frenemies were placed together as suitemates, a pairing that ultimately served as a catalyst for lifelong friendship. Throughout college, Paris pursues pre-med and pre-law degrees, joins the Yale Daily News alongside Rory, dates an elderly professor (he passes away, leaving Paris to grieve), moves on with the editor of the Yale Daily News, Doyle McMaster, and potentially saves Rory from abandoning Yale forever by admitting to Lorelai that Rory is the only person who ever listened to her, challenged her and motivated her.

Paris then proceeds to become the editor of the Yale Daily News, a position in which her power-hungry tendencies took full-force, resulting in a forcible resignation, kick Rory out of their shared apartment, let Rory move back into their shared apartment (now with Doyle), be accepted to a slew of prestigious medical and law schools. She ultimately chose to attend med school and break up with Doyle, to which he refused, and tells Rory that they’re on their own but she can still do great things (Of course this doesn’t last, the two are meant to be best friends.)

Somehow this doesn't even scratch the surface of the character of Paris. As you can tell, Paris is a fiercely loyal, protective woman who fights for herself to no end. She (literally) doesn’t care what other people think (so long as they’re not within her immediate circle) and never stops pursuing her dreams, no matter how many times she probably should have. She is the epitome of feminism in modern television — perhaps taken to an extreme — and serves as a necessary counterweight to Rory’s floundering sense of self.

So long as she keeps her need for perfectionism in check, Paris has one of those few personality types whose wild ambition and outspokenness is directly beneficial to her success, a success that she, and only she, can define. Sure, she has an exaggerated sense of self-importance, but when balanced by Rory’s soft-but-straightforward approach, Paris can quickly reset, reevaluate and move forward.

That's the thing with Paris — she’s always moving forward. She doesn't get into Harvard? Tough. She takes a few days to wallow before considering her other options: Yale, Columbia and Princeton. She doesn’t know whether to choose med school or law school, so she takes stock of her bearings, reflects on her past dreams, and makes a clear, concise decision that she moves forward with.

Her brutally honest nature (both internally and externally) is exactly why Paris works. She’s generous when needed, comfortable with giving tough (and oftentimes tougher) love, is able to express vulnerability with the people she loves, doesn’t allow outside influences to affect her path and never let’s someone (especially a man) tell her she’s less than (*cough, cough*—Rory). For an early 2000s show, she showed women that there is power in education. There’s power in stepping away from a caretaker role. There’s power in expressing your opinion, no matter your age.

There’s no doubt in my mind that she’s inspired countless women over the years — after all, she’s inspired me! Even though she’s had her controversial moments, she’s always been a cheering voice for women, even if it’s behind her resting grimace. For these reasons, and so many more, I am hereby deeming Paris Geller the best of Gilmore Girls — the heroine, perhaps, and a feminist icon to all.