Your Fave Lush Bath Bombs Just Got An Explosive 'Asteroid City' Twist

1. What Women Want (2000)

This film follows a charming but egotistical man, played by Mel Gibson, who gains the ability to hear women's thoughts, only to realize they're not as enamored with him as he thought.

While the premise is intriguing, the film relies on outdated gender stereotypes. Moreover, Mel's character is too easily redeemed, particularly by his daughter, who sees him as an absent father until he makes one grand gesture. As if that erases years of neglect.

2. Bring It On (2000)

Bring It On may be a favorite among teens, but a lot of the film's choices don't hold up in hindsight. It's packed with promiscuous portrayals of teenage cheerleaders (and even flashing), casual use of offensive language, and a central conflict about cultural appropriation that doesn't get the depth it deserves.

The rivalry between the predominantly white and Black cheer squads does touch on an important issue. Still, Bring It On doesn't explore the deeper implications.

3. Sorority Boys (2002)

This plot follows three fraternity brothers who disguise themselves as women and infiltrate a sorority only to (shockingly) realize that treating women like garbage actually hurts them.

Sorority Boys is packed with fat-shaming, misogyny, and crude feminist stereotypes. On top of that, it includes an unsettling subplot where one character unknowingly falls for his own sibling.

4. Love Actually(2003)

Love Actually continues to be a holiday go-to watch for many, but it's riddled with problematic ideas about women and relationships. Emma Thompson's character is heartbreakingly mistreated, and she's still forced to endure her cheating husband.

Then, there's the bizarre fixation on Natalie's weight. And overall, the film reduces most of its female characters to love interests. Love Actually barely scrapes by the Bechdel test, with the only meaningful female-to-female exchange being between Karen and her young daughter.

5. Freaky Friday (2003)

This teen comedy features a mother and daughter who magically switch bodies and are forced to navigate each other's lives. While Freaky Friday felt funny and fresh for its time, one of the more uncomfortable aspects of the film involves covert age gap relationships.

Anna, played by Lindsay Lohan, has a crush on Jake. However, since Anna's mind is trapped in her mother's body, it creates awkward moments where Jake is unknowingly flirting with an adult woman inhabited by a teenager.

6. Waiting... (2005)

This was meant to be a raunchy workplace comedy about the chaos of working in a restaurant, but looking back, much of its humor is cringe-worthy and uncomfortable.

Harassment is treated casually, with multiple scenes featuring male employees hitting on younger female staff members (including an underage hostess). The film also leans on homophobic slurs and misogyny, with many jokes revolving around degrading women.

7. John Tucker Must Die (2006)

With over-the-top high school drama and revenge plots, John Tucker Must Die is the epitome of 2000s teen comedy. But even though the movie tries to position itself as a feminist takedown of a serial womanizer, it actually ends up making John Tucker look more desirable.

Similar to Bring It On, many scenes also feel like they're designed for the male gaze rather than female empowerment.

8. Freedom Writers (2007)

Freedom Writers follows a white teacher who steps in to "save" a group of underprivileged students. It falsely suggests that one determined teacher can single-handedly overcome systemic issues like racism and educational inequality as long as they're willing to sacrifice everything else in their life.

Sure, Erin Gruwell's real-life dedication is admirable, but the movie focuses on a feel-good narrative where personal effort alone is enough to fix deeply rooted social issues.

9. The Blind Side (2009)

This film is one of the most glaring examples of Hollywood's white savior complex. Despite being marketed as an inspiring true story, it reduces Michael Oher to a passive character in his own journey and portrays him as helpless until a wealthy white family takes him in.

The Blind Side focuses far more on Sandra Bullock's character and her supposed heroism than Michael's actual experiences.

10. The Hangover Part II (2011)

Finally, The Hangover Part II is remembered as a wild comedy hit. Still, it has some problems, most notably when Ed Helms' character, Stu, discovers the woman he slept with is actually a trans woman.

The scene is played for laughs as both Ed and Bradley Cooper's characters react with disgust. It's a tough watch today and serves as a reminder of how many 2000s films used outdated or offensive humor for shock value.

Amanda Seyfried promises "we're going to do" 'Mamma Mia 3.'

Amanda Seyfried was asked about a Mamma Mia 3 ahead of the premiere for Long Bright River, which she stars in and executive produces.

"Show me the money!" she jokingly tells The Hollywood Reporter, before adding, "Producer Judy Craymer is always working on it, but Universal still has to release Wicked2. The first Wicked had to stall when Mamma Mia! 2 was getting made."

"It’s an either/or situation with musicals. And I have this theory that Universal just knows we’re going to do it, so they’re not in any rush," she continues. "And it’s just going to cost double."

Hearing Amanda Seyfried say they're definitely making the movie is exactly what I needed to hear this week!

And Meryl Streep wants to return as Donna!

Since Wicked: For Good is coming out later this year (and Universal has no other musicals in the pipeline) that means Mamma Mia 3 could finally be on its way! If they filmed over the summer of 2026 and completed post-production in the winter, we could see the third movie as early as the spring of 2027.

Amanda Seyfried told ET that “it’s happening" and jokes that “it’s going to happen in Greece, hopefully before 2038."

"Ideally [filming] would be in summer 2026," she continues. "That’s just my schedule. Everybody has to put their lives on hold.” And see, that's exactly what I said.

"I don't want to over-egg it," Judy Craymer told Deadline, "but I know there's a trilogy there…and I do think Meryl should come back, and if the script is right, she would, I think, because she really loved playing Donna."

And what does Meryl Streep think of the possible return to Donna Sheridan? "Of course I want to do it," she said. Let's get the band back together!

Sadie Sink will have a "significant" role in 'Spider-Man 4.'

Tom Holland confirmed that Spider-Man 4 is set to start filming in the summer of 2025, and Deadline reports that Sadie's role is "significant." Brit + Co reached out to Sony and Sadie Sink's reps for comment.

While we don't have any official news on the specifics of Sadie's character, considering the movie comes a couple of months after 2026's Avengers: Doomsday, I think there are a few characters Sadie would knock out of the park.

Is Sadie Sink playing Jean Grey?

With Sadie Sink's red hair, she would make a perfect variant for Zendaya's MJ (who is, herself, a version of Mary Jane from the comics). But with her sunny disposition and confidence, I could totally see her as Gwen Stacy too. My lead theory surrounding Avengers: Doomsday is that the characters we know so well will wind up in another universe — and could finally bring the X-Men into the MCU.

Even before Sadie's casting was confirmed, the leading rumor was that she'd join the MCU as Jean Grey/Phoenix, a role held by Famke Janssen and Sophie Turner in previous X-Men adaptations. And this is the role I hope we see her in!

Spider-Man fans will remember that No Way Home ended by erasing Peter Parker's existence from the world...but if Peter meets characters from another world (ahem, Jean), or if all our favorite heroes wind up in another world, the spell shouldn't affect them. And fighting to get back home is exactly the kind of theme I'd love to see in Spider-Man 4.