Brit + Co’s Weekly Entertainment Planner: 2019 Oscars, ‘Fighting With My Family,’ and More!

1. Seriously, what is the data they're refining?

2. What's the deal with the goats?

No, but will we ever get an explanation for those? It felt so random? I can't stop thinking about them?

3. Is Gemma actually alive?

Mark's "She's alive!" moment in season 1 was very Dr. Frankenstein, so it made me wonder...is Gemma actually alive? Or is something more sinister going on there? Did they fake her death before Mark decided to get severed? Is she actually a reanimated corpse? Is all this a ploy to ultimately reanimate (and essentially resurrect) the Egans? Where is Gemma?!

4. What was Irving painting? And why?

When Innie Irving entered Outie Irving's life, he was painting a dark hallway at Lumon that lead to an elevator. Where is that hallway? And why would his Outie know about the inner workings of Lumon? What does it all mean?!

5. Why did the "Innies" decide to return to Lumon?

After everything they went through, it seems odd to me that all four Innies would find their way back to the office.

6. Why did Helly R lie?

When all the Innies got together to talk about what they saw on the outside, Helly R made it a point to lie about what she saw — or rather, who she is. Did she lie because she doesn't want her friends to know she's actually an Eagan? Or did she lie because she's actually Outie Helly going undercover? Or something else I haven't even thought of?!

7. How long has it actually been since the uprising?

Mr. Milchick told them it'd been five months since the rebellion, but I'm not so sure. Why would Lumon suddenly be honest with the Innies? How could they prove that time has actually passed? Why does it feel like the rebellion happened and suddenly they're just back?

8. No, but why was Ms. Cobel so obsessed with Mark?

Lumon clearly used this as a scapegoat for Ms. Cobel getting fired, but it is really weird that she was so clued into Mark specifically. Why not any of the other Innies? Is it solely because of whatever is going on with Gemma? Is there something special about him? I need answers!

9. What was that flash of Gemma on Mark's computer?

Does this tell us anything about the data they're refining? Is Mark refining Gemma's data? Did that flash even actually happen? WHAT is going on?!

10. WHY is a child working there?!

No, but actually...why? Where did this child come from? And what is she doing here? And aren't there child labor laws that prevent this kind of thing?

1. Luke Thompson as Benedict Bridgerton

Luke Thompson leads Bridgerton season 4 as artist Benedict, the second-eldest Bridgerton sibling.

2. Yerin Ha as Sophie Baek

And alongside Luke, we'll see Yerin Ha as Sophie Baek, who meets Benedict at a masked ball (meaning he doesn't know who she is...)

3. Jonathan Bailey as Anthony Bridgerton

Thank goodness, Jonathan Bailey is returning to Bridgerton season 4 as Anthony, the eldest Bridgerton who also serves as a father figure for the littles. I'm obsessed with him and can't wait to see him again!

4. Claudia Jessie as Eloise Bridgerton

Bridgerton wouldn't be the same without Claudia Jessie's Eloise. And we won't have to imagine a world without her because she'll be in season 4!

5. Luke Newton as Colin Bridgerton

After playing out his own love story in Bridgerton season 3, Luke Newton is back as Colin Bridgerton in season 4.

6. Nicola Coughlan as Penelope Featherington

We'll also see Nicola Coughlan as Lady Whistledown herself, Penelope Featherington (er, Bridgerton), Eloise's best friend and Colin's new wife.

7. Hannah Dodd as Francesca Bridgerton

Hannah Dodd's shy and musically gifted Francesca Bridgerton will return for Bridgerton season 4.

8. Victor Alli as John Stirling

Victor Alli stars as John Stirling, Francesca's husband who helped her break out of her shell in season 3.

9. Will Tilston as Gregory Bridgerton

Will Tilston returns as youngest brother Gregory Bridgerton.

10. Florence Hunt as Hyacinth Bridgerton

And Florence Hunt stars as sassy youngest sibling Hyacinth Bridgerton!

11. Ruth Gemmell as Violet Bridgerton

We can't forget the woman holding it all together! Ruth Gemmell is back as matriarch Violet Bridgerton.

12. Masali Baduza as Michaela Stirling

We'll also see Masali Baduza as Michaela Stirling again, a gender-swapped version of TK's cousin Michael from the books.

13. Adjoa Andoh as Lady Danbury

I can't wait to see Adjoa Andoh as the wise and spunky Lady Danburyagain!

14. Katie Leung as Lady Araminta Gun

Harry Potter fans will recognize Katie Leung (who played Cho Chang in the franchise) as Sophie's step-mother Araminta.

15. Michelle Mao as Rosamund Li

Michelle Mao stars as Sophie's step-sister Rosamund.

16. Isabella Wei as Posy Li

And Isabella Wei plays Rosamund's younger sister Posy.

17. Golda Rosheuvel as Queen Charlotte

The iconic Golda Rosheuvel returns as Queen Charlotte.

18. Martins Imhangbe as Will Mondrich

Bridgerton season 4 will also include Martins Imhangbe as Will Mondrich, a friend of Simon's who used to be a boxer.

19. Emma Naomi as Alice Mondrich

Emma Naomi also returns as Alice Mondrich.

20. Not Returning: Phoebe Dynevor as Daphne Bridgerton

Sadly, we won't be seeing Phoebe Dynevor as Daphne Bridgerton anytime soon. She told The Direct that "they've not called me yet...And I think they're shooting Season 4 right now. So, I'm still waiting for that call." Sigh.

1. What did all those lilacs mean?

One of the first things I noticed in Nosferatu are the obvious and subtle nods to lilac flowers. They're first seen in bouquet form when Thomas Hutter (Nicholas Hoult) happily brings them to his wife Ellen Hutter (Lily Rose-Depp). However, she's not happy about the gift, claiming they'll die. Her reaction and statement kept gnawing at me long after Count Orlok (Bill Skarsgård) smells a piece of hair in the locket she gave to Thomas.

Apparently, lilacs are a symbol of life — but also death — in literature. Walt Whitman best exemplified this through his poem When Lilacs Last In Door Yard Bloom'd, intrinsically linking the sweet smell of lilacs to the passing of Abraham Lincoln. So when Ellen freaked out about the bouquet being a "waste," was that just another reminder of the death and decay from her dream? Another reminder of her oath to Orlok? Is Ellen just a "picked" flower herself, bound to the vase that is her promise to Orlok?

2. Did Thomas Hutter sense something odd while in Herr Knock's office?

My favorite part about movies is watching characters' faces during conversations. Although it's not implied Thomas Hutter has otherworldly abilities, I wondered if felt something was wrong with Herr Knock's enthusiasm about securing property for Count Orlok.

Nicholas Hoult did a great job of showing subtle signs of confusion, apprehension and fear during the film so this stood out while he was in Herr Knock's office.

3. Could Ellen see Count Orlok waiting for Thomas before he left?

This seems like a silly question if you've watched Nosferatu, but the film didn't explicitly say whether Ellen could see him or not. Based on her fear about Thomas leaving to secure a stable financial future for them, I think it's possible Ellen had a deeper connection to Orlok than we originally thought.

Also, her dreams and nightmares seemed to get worse once Thomas left, indicating Orlok knew he could torment her even further since she was no longer under the watchful eye of her husband.

4. Did Thomas pass out after that Romanian vampire ritual?

As a viewer, it was clear the Romanians were staunchly against vampires, given how they were vehemently against his visit to Orlok immediately. Then, that night, Thomas happened upon some kind of ritual (or execution) of a vampire after exhuming it from a grave — only for Thomas to quickly wake up in his bed as if it was nothing more than a bad dream. Was it real, or just some kind of illusion? The mud on his boots say a lot to me, TBH.

But why would the Romanians not want him to believe it was real? Weren't they trying to prove to him how dangerous vampires (and Orlok) are? My guess is Orlok had something to do with the confusion.

4. What was Ellen gifted with?

I love the Insidious franchise, so I've become familiar with the concept of astral projecting in films. I didn't expect to see something similar in Nosferatu though. It became clear that Ellen is gifted, but I wonder how many abilities she has for a few reasons.

1. Ellen explained to Professor Von Franz that she's always had the ability to 'know' things before they happen (i.e. her mother's death), indicating some type of psychic powers.
2. Her prayers for comfort by any celestial being during her time of loneliness were answered by something demonic — Orlok (AKA Nosferatu).
3. She always went into a trance at the same time of night — and even demonstrated an ability to speak on behalf of Orlok at one point.

5. Did Friedrich and Anna Harding's perspectives represent society's ability to ignore what can't be explained?

Let's have a moment of silence for Friedrich and Anna Harding. They were the unsuspecting friends of the Hutters who met their untimely (read: unfair) demise towards the end of Nosferatu. I didn't get the feeling they were bad people, but it seems like they were content living in a safe bubble where unexplained things were acts of God — or even nonexistent — in their eyes.

Does this mean they were supposed to represent society's ability to do the same whenever traumatic things occur? Whenever something challenges the safety of societal constructs that are have in place? And did their deaths portray the consequences of turning a blind eye to the world around you? I hate what happened to them, but Ellen really did try to warn everyone...

7. What did Professor Von Franz and Ellen's cats symbolize?

Cats were another element that stood out in Nosferatu. We first saw Ellen's cat Greta before Thomas Hutter received his grisly job assignment, and then later see a few living with Professor Von Franz. Though he was dubbed 'eccentric,' we later realize he's more aware of what's happening in Wisburg than 'regular' people as he's able to understand what's afflicting Ellen.

His immediate notice of Greta while evaluating Ellen made me wonder if the cats in Nosferatu were meant to symbolize familiars or protectors against evil. According to PBS, Medieval Europeans weren't too fond of cats, reporting that cats were often associated with the Devil and witches. The Guardianeven reported that while keeping domestic pets was on the rise in 19th century Europe (AKA the setting of Nosferatu), cats still weren't as liked — and often mainly seen as a means of hunting mice. They wrote, "As a result, cats weren’t as well-fed as other pets and developed a reputation for being sly and calculating."

With all that in mind, does the cat symbolize Ellen's gentle nature, seeking to comfort the less comforted? Does it symbolize her borderline witchy nature? And what do Professor Von Franz's many, many cats mean? (Seriously, someone please tell me what it means!)

8. Did a part of Ellen welcome Orlok's demonic presence?

This is one of the more controversial questions I have because of something Professor Von Franz told Ellen before the end of Nosferatu. He told her that we sometimes have to embrace the darkness within in order to stop external forces which leads me to wonder if that's what Ellen did.

I'm not implying that she liked or loved Orlok by any means because he's truly a demonic parasite. However, what if she decided to make peace with the shadow part of her soul in order to fulfill her destiny of saving others?

9. Did Ellen know she'd have to sacrifice herself?

Even though Ellen embraced the parts of herself she felt shamed by for a greater purpose, I've been thinking about the dark wedding dream she recounted to Thomas. She said she saw herself willingly marrying death and never felt happier despite how much death surrounded them.

Seeing that Orlok brought the plague to Wisburg that quickly started consuming the town, did Ellen know her fate would always lie with accepting whatever involved him?

10. Did Nosferatu shed light on the 1800s purity culture?

Lastly, did Nosferatu represent impurity and sexuality for women during the 1800s? Given that women are still held to a higher sexual standard, I can imagine the 1800s were a hot bed of making sure women were as pure as possible to be considered worthy brides and mothers.

Still, did Nosferatu imply that Anna was supposed to be a pillar of 'perfection' in this sense while Ellen's 'shame' and tormented soul called into question how pure she was? After all, she relayed how upset her father was to find her unclothed in the garden when she recounted how she "met" Orlok to begin with. Is this all really just a metaphor for the suffocating shame women face when considered "impure"?